Rabu, 20 Januari 2010

[D551.Ebook] Download Leonard Cohen Poems 1956 - 1968, by Leonard Cohen

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Leonard Cohen Poems 1956 - 1968, by Leonard Cohen

  • Sales Rank: #2702005 in Books
  • Published on: 1970
  • Format: Import
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 96 pages

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3 of 3 people found the following review helpful.
Seed songs
By Peter Uys
This volume contains selections from Let Us Compare Mythologies, The Spice-Box of Earth, Flowers for Hitler & Parasites of Heaven, concluding with New Poems. Suzanne is here called Suzanne Takes You Down, and there's an embryonic version of True Love Leaves No Traces, a beautiful song from his much maligned album Death of a Ladies' Man, called As The Mist Leaves No Scar (I also love the breezy pop version by Dead Famous People on the tribute album I'm Your Fan).

The poem The Only Tourist In Havana Turns His Thoughts Homeward (1961) reminds me of his song Stories of the Street on the album Songs of Leonard Cohen that also deals with a visit to Havana. Queen Victoria And Me appears on the album Live Songs as just Queen Victoria. The poem It's Good To Sit With People mentions the obscure 1960's singer-songwriter Tim Hardin (the same dude or a relative inspired Dylan's album title John Wesley Harding).

I won't venture into literary criticism (my frame of reference is limited to Beats like Allen Ginsburg and Confessionals like Robert Lowell, John Berryman and Anne Sexton) but I love Cohen's imagery and I enjoy most of these poems. The book concludes with an index of first lines. This is a must for all Cohen fans. It's just not the same without the tunes, his voice and those angelic female vocals ...

0 of 0 people found the following review helpful.
A Gift
By FlowerGirl62
My friend was very pleased with the works collected here. I purchased an addition Leonard Cohen book, both were just the perfect gift for this friend.

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Minggu, 10 Januari 2010

[Y932.Ebook] Get Free Ebook Ivanov (Modern Plays), by Anton Chekhov

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Ivanov (Modern Plays), by Anton Chekhov

This adaptation by David Hare premiered at the Almeida Theatre, London in 1997 starring Ralph Fiennes



This is a drama of a Russian landowner's half-farcical, half serious personal crisis as he plummets fast into domestic and philosophical chaos. The central scene concerns a debate between the landowner and the young doctor about honesty. The latter thinks that honesty is to do with blurting out offensive truths, whilst the former insists that no-one can acquire honesty unless they have the self knowledge to examine their own motives. By turns despairing and passionate, this play offers an insight into a robust young writer, exploring themes that were to interest him in his later plays.



  • Sales Rank: #473404 in eBooks
  • Published on: 2014-02-03
  • Released on: 2014-02-03
  • Format: Kindle eBook

Review
"""...as intimate and subtly plotted as a piece of chamber music"" Rachel Halliburton, The Evening Standard ""a play often patronised as an immature melodrama, one that Chekhov himself described as ""a pudding"", has the quirkiness, the subtlety, the unpredictable touches of human truth we associate with the great works that followed."" Benedict Nightingale, The Times "

Language Notes
Text: English (translation)
Original Language: Russian

About the Author
The Plays for Performance series is edited by Nicholas Rudall, former artistic director of the Court Theatre at the University of Chicago where he is professor of classics, and Bernard Sahlins, founder and director of the Second City. They both live in Chicago, Illinois.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Great play
By Galiana
I was lucky enough to see this play on opening night in London's West End, in September 2008. I left the theatre absolutely enchanted by not only the acting, but also by the sheer power and musicality of Stoppard's lines in this reworked translation. Needless to say, I went back to see this play 4 more times before I left London for Moscow.

I can't recommend this play enough.

1 of 1 people found the following review helpful.
One of my favorite Chekhov plays, so well written.
By Andrew Walker
Anton Chekhov is one of the greatest play writes of the last two centuries, and this is one of my favorites of his. A must read for anyone who loves plays and especially for any actors looking for some challenging workshop scenes.

0 of 0 people found the following review helpful.
Ivanov by Anton Chekhov
By Davies
A great adaptation of Chekhovs first full length play. Thoroughly enjoyed it, a beautifully written piece, with vibrant characters and settings

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Jumat, 08 Januari 2010

[W997.Ebook] Ebook Free A Streetcar Named Desire (Heinemann Plays for 14-16+), by Tennessee Williams

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A Streetcar Named Desire (Heinemann Plays for 14-16+), by Tennessee Williams

The Heinemann Plays series offers contemporary drama and classic plays in classroom editions. Many have large casts and an equal mix of boy and girl parts. This play depicts the conflict between a fading Southern belle and the brash lower-class society of her sister's family.

  • Sales Rank: #3709796 in Books
  • Published on: 1995-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .51" w x 5.43" l, .53 pounds
  • Binding: Hardcover
  • 160 pages

From Publishers Weekly
Williams's classic play begins with Blanche DuBois's arrival in New Orleans to stay with her sister and brother-in-law, Stella and Stanley Kowalski. The determinedly genteel Blanche is shocked by their lower-class lifestyle—and by Stanley's frequently aggressive behavior. As Blanche's secrets catch up with her, a seedy reality trumps her love for romance. Rosemary Harris embodies Blanche with all the flare, attitude and Southern drawl commonly associated with the cultural icon. The role of Stanley is so physical that his presence is diminished by the lack of a visual performance, but James Farentino's Stanley is excellent. The overall production quality is excellent with musical segues and sound effects that enhance without distracting the listeners. This recording captures the cast of the 1973 Broadway revival (which won Harris a Drama Desk award and Farentino a Theatre World award). (Feb.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Lyrical and poetic and human and heartbreaking and memorable and funny.--Francis Ford Coppola

About the Author
Tennessee Williams (1911-1983) is the acclaimed author of many books of letters, short stories, poems, essays, and a large collection of plays, including The Glass Menagerie, A Streetcar Named Desire, Camino Real, Cat on a Hot Tin Roof, Orpheus Descending, The Night of the Iguana, and The Rose Tattoo.

Most helpful customer reviews

46 of 50 people found the following review helpful.
Williams's Intense Desire
By Blaine Bisel
Tennessee Williams's masterfully written drama explores the extremes of fantasy versus reality, the Old South versus the New South, and primitive desire versus civilized restraint. Its meager 142 page spine is no indication of the complexity and significance that Williams achieves in his remarkable work. A strong aspect of the play is Williams's amazingly vivid portrayal of desperate and forsaken characters who symbolize and presumably resolve his battles between extremes. He created and immortal woman in the character of Blanche DuBois, the haggard and fragile southern beauty whose pathetic last grasp at happiness is cruelly destroyed. She represents fantasy for her many outrageous attempts to elude herself, and she likewise represents the Old South with only her manners and pretentions remaining after the foreclosure of her family's estate. The movie version of A Streetcar Named Desire shot Marlon Brando to fame as Stanley Kowalski, a sweat-shirted barbarian and crudely sensual brother-in-law who precipitated Blanche's tragedy. He symbolizes unrestrained desire with the recurring animal motif that follows him throughout the play. A third major character, Stella Kowalski, acts as mediator between her constantly conflicting husband and older sister. She magnifies the New South in her renounce of the Old pretentions by marrying a blue collar immigrant. Conflicts between these and other vividly colorful characters always in light of the cultural New Orleans backdrop provide a reader with a lasting impression and an awe for Williams's impeccable style and intense dialogue.

22 of 24 people found the following review helpful.
What happens when an irresistible force meets an immovable object?
By Jason Kirkfield
This is another classic from my high school days that seems wasted on youth. How can a fifteen-year-old in prep school appreciate the desperation and human frailty of Blanche DuBois? Or the dichotomy inherent in Stanley Kowalski's passionate brutality?

=================================================================================================================
BLANCHE: What you are talking about is brutal desire--just--Desire!--the name of that rattle-trap street-car that bangs through the Quarter, up one old narrow street and down another...
STELLA: Haven't you ever ridden on that street-car?
=================================================================================================================

Many will have seen either the stage or film versions of Streetcar, but reading through Tennessee Williams' Pulitzer Prize-winning play allows for the depression to really set in. Readers may even recognize qualities in friends and family members approximating those of alcoholism or domestic violence.

=================================================================================================================
BLANCHE: A hot bath and a long, cold drink always give me a brand new outlook on life!
=================================================================================================================

There are so many great dialogue exchanges here, outside of the classic "kindness of strangers" quote. I'll snip a few of my favorites.

=================================================================================================================
MITCH: You ought to lay off his liquor. He says you been lapping it up all summer like a wild-cat!
BLANCHE: What a fantastic statement! Fantastic of him to say it, fantastic of you to repeat it!
=================================================================================================================

The abusive domestic relationship seemed a common theme in mid-20th Century America; witness both Streetcar and The Honeymooners. "One of these days...POW! Right in the kisser! One of these days Alice, straight to the Moon!"

=================================================================================================================
STANLEY: When we first met, me and you, you thought I was common. How right you was, baby. I was common as dirt. You showed me the snapshot of the place with the columns. I pulled you down off them columns and how you loved it.
=================================================================================================================

Very easy to get through this in a sitting or two. Very hard not to be emotionally moved, even if the d�nouement, vis-a-vis Stanley and Blanche, was not obvious to me after that first reading many years ago.

=================================================================================================================
BLANCHE: Don't you just love these long rainy afternoons in New Orleans when an hour isn't just an hour--but a little piece of eternity dropped into your hands--and who knows what to do with it?
=================================================================================================================

Postscript: My own copy is the mid-80s Signet printing, which includes a 4-page Introduction by the author.

9 of 9 people found the following review helpful.
Deception within the family
By DG
Deception seems to be one of the most salient themes. As Goleman writes, "We are piloted in part by an ingenious capacity to deceive ourselves, whereby we sink in obliviousness rather than face threatening facts."

Blanche buries her devious past with a new start in New Orleans and skirts questions with a swift wit in conversation. She waters down the pains and frustrations of the past with concealed drinking and shrouds her aging face from gentleman callers in a soft light. She delusionally and openly believes that a fictional Texas oil magnate will arrive to whisk her away from yet another prison she finds herself in.

Blanche maintains a very interesting relationship with Stanley, the bane of her existence in the French Quarter. While Stanley is ostensibly boorish and untamed, Blanche poorly masks these same latent characteristics in her own personality with a ladylike charm, frequent bathing, and heavy perfume. Her attacks on Stanley are actually projections, effectively assaults on the qualities she hates most about herself. Her outward disdain for her sister's husband is likely an aggressive reaction to what is better known as jealousy.

What's more, this behavior runs in the family (another universal Williams theme). Stella convinces herself that an abusive relationship is fit to raise a child in. And at one point, the sisters recall their mother's refusal to accept her own mortality and her imploration to her young daughters to participate in this shared collusion.

In the final scenes of the story, as Stella is giving birth to their son, Stanley finishes what he started, defeating Blanche completely in a territorial act of rape. When Blanche finally does choose to embrace honesty and come clean with Stella about the crime, her sister refuses to believe her and locks her away with the truth in an asylum, in step with what we'd expect from the DuBois family.

The play was originally to be named "The Poker Night," and like "The Glass Menagerie," this image is an appropriate symbol to help unify the piece. As Williams writes it, poker, a game of deception, is not just played by the men in this play.

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Kamis, 07 Januari 2010

[B269.Ebook] Download PDF Keynes: A Very Short Introduction, by Robert Skidelsky

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Keynes: A Very Short Introduction, by Robert Skidelsky

John Maynard Keynes (1883-1946) is a central thinker of the twentieth century, not just an economic theorist and statesman, but also an important figure in economics, philosophy, politics, and culture. In this Very Short Introduction Lord Skidelsky, a renowned biographer of Keynes, explores his ethical and practical philosophy, his monetary thought, and provides an insight into his life and works.

In the recent financial crisis Keynes's theories have become more timely than ever, and remain at the centre of political and economic discussion. With a look at his major works and his contribution to twentieth-century economic thought, Skidelsky considers Keynes's legacy on today's society.

  • Sales Rank: #210228 in Books
  • Brand: Brand: OUP Oxford
  • Published on: 2010-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.30" h x .30" w x 6.80" l, .40 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

Review
A helpful potted guide to the life of master economist John Maynard Keynes Sunday Herald

About the Author

Lord Robert Skidelsky is Emeritus Professor of Political Economy at the University of Warwick. He biggest work is a three volume biography of John Maynard Keynes; Hopes Betrayed, 1883-1920, (1983), The Economist as Saviour, 1920-1937, (1992), and Fighting for Britain, 1937-1946, (2000). His new book about the current economic crisis, Keynes: the Return of the Master, published in September 2009.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I've often hear about Keynesian economics but had a pretty sketchy understanding of all it entailed
By J.D.
I've often hear about Keynesian economics but had a pretty sketchy understanding of all it entailed. This book brought the pieces together and broadened my understanding of the man (John Maynard Keynes), as well as provided me a moderate level understanding of his economic theories and the policies he helped create/inspire. I have a modest/moderate understanding generally of economics, but found the authors work quite readable. The author points out that while Keynes applied his theories to help shape depression/post depression era policies, his theories are applicable today.

5 of 6 people found the following review helpful.
Concise and powerfully written
By paul
Reading this short introduction of Keynes resulted in three outcomes: 1) I felt as though I came away with a better understanding of Keynes work. 2) I have a strong desire to read more by and about Keynes. And lastly, 3) I have become a huge fan of Skidesky.

1 of 2 people found the following review helpful.
one of the best intros to Keynes
By Alan G. Nasser Sr.
Skidelsky is as clear and concise. It is worth mentioning that since the book was written Skidelsky has moved notably to the Left in his policy recommendations in the light of the Great Recession. He is much more sympathetic to the “radical” Keynes.

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Selasa, 05 Januari 2010

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Fifty Shades Darker (Movie Tie-in Edition): Book Two of the Fifty Shades Trilogy (Fifty Shades of Grey Series), by E L James

Fifty Shades Darker (Movie Tie-in Edition): Book Two of the Fifty Shades Trilogy (Fifty Shades of Grey Series), by E L James



Fifty Shades Darker (Movie Tie-in Edition): Book Two of the Fifty Shades Trilogy (Fifty Shades of Grey Series), by E L James

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Fifty Shades Darker (Movie Tie-in Edition): Book Two of the Fifty Shades Trilogy (Fifty Shades of Grey Series), by E L James

OFFICIAL MOVIE TIE-IN EDITION, INCLUDES BONUS MATERIAL�

A special edition of E L James’s #1 New York Times bestselling novel,�Fifty Shades Darker, that includes her own photos and caption commentary from the making of the film—and an excerpt from her forthcoming book,�Fifty Shades Darker, As Told by Christian Grey.

Daunted by the singular tastes and dark secrets of the beautiful, tormented young entrepreneur Christian Grey, Anastasia Steele has broken off their relationship. But desire for Christian still dominates her every waking thought, and when he proposes a new arrangement, Ana cannot resist. They rekindle their searing sensual affair, and Ana learns more about the harrowing past of her damaged, driven, and demanding Fifty Shades. While Christian wrestles with his inner demons, Ana must confront the anger and envy of the women who came before her, and make the most important decision of her life.�

The second volume in The Fifty Shades of Grey Trilogy. Also available:�Fifty Shades of Grey, Fifty Shades Freed

  • Sales Rank: #25047 in Books
  • Brand: Vintage Books
  • Published on: 2017-01-03
  • Released on: 2017-01-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.00" w x 5.20" l, 1.00 pounds
  • Binding: Paperback
  • 560 pages
Features
  • Fifty Shades Darker (Movie Tie-in Edition) (Fifty Shades of Grey Series, Book 2)

About the Author
After twenty-five years working in TV, E L James decided to pursue her childhood dream, and set out to write stories that readers would fall in love with. The result was the sensuous romance�Fifty Shades of Grey�and its two sequels,�Fifty Shades Darker�and�Fifty Shades Freed,�a trilogy that went on to sell more than 125 million copies worldwide in 52 languages.
� � �In 2012 E L James was named one of Barbara Walters's "Ten Most Fascinating People of the Year," one of�Time�magazine's "Most Influential People in the World," and�Publishers Weekly’s "Person of the Year.”�Fifty Shades of Grey�stayed on the�New York Times�Best Seller List for 133 consecutive weeks, and in 2015 the film adaptation—on which James worked as producer—broke box-office records all over the world for Universal Pictures.
� � �E L James lives in West London with her husband, the novelist and screenwriter Niall Leonard, and their two sons. She continues to write novels while acting as producer on the upcoming movie versions of�Fifty Shades Darker�and�Fifty Shades Freed.

Excerpt. � Reprinted by permission. All rights reserved.
PROLOGUE

He’s come back. Mommy’s asleep or she’s sick again.

I hide and curl up small under the table in the kitchen. Through my fingers I can see Mommy. She is asleep on the couch. Her hand is on the sticky green rug, and he’s wearing his big boots with the shiny buckle and standing over Mommy shouting.

He hits Mommy with a belt. Get up! Get up! You are one fucked-up bitch. You are one fucked-up bitch. You are one fucked-up bitch. You are one fucked-up bitch. You are one fucked-up bitch. You are one fucked-up bitch.

Mommy makes a sobbing noise. Stop. Please stop. Mommy doesn’t scream. Mommy curls up small.

I have my fingers in my ears, and I close my eyes. The sound stops.

He turns and I can see his boots as he stomps into the kitchen. He still has the belt. He is trying to find me.

He stoops down and grins. He smells nasty. Of cigarettes and drink. There you are, you little shit.


A chilling wail wakes him. Christ! He’s drenched in sweat and his heart is pounding. What the fuck? He sits bolt upright in bed and puts his head in hands. Fuck. They’re back. The noise was me. He takes a deep steadying breath, trying to rid his mind and nostrils of the smell of cheap bourbon and stale Camel cigarettes.


CHAPTER ONE

I have survived Day Three Post-Christian, and my first day at work. It has been a welcome distraction. The time has flown by in a haze of new faces, work to do, and Mr. Jack Hyde. Mr. Jack Hyde . . . he smiles down at me, his blue eyes twinkling, as he leans against my desk.

“Excellent work, Ana. I think we’re going to make a great
team.”

Somehow, I manage to curl my lips upward in a semblance of a smile.

“I’ll be off, if that’s okay with you,” I murmur.

“Of course, it’s five thirty. I’ll see you tomorrow.”

“Good night, Jack.”

“Good night, Ana.”

Collecting my bag, I shrug on my jacket and head for the door.
Out in the early evening air of Seattle, I take a deep breath. It doesn’t begin to fill the void in my chest, a void that’s been present since Saturday morning, a painful hollow reminder of my loss. I walk toward the bus stop with my head down, staring at my feet and contemplating being without my beloved Wanda, my old Beetle . . . or the Audi.

I shut the door on that thought immediately. No. Don’t think about him. Of course, I can afford a car—a nice, new car. I suspect he has been overgenerous in his payment, and the thought leaves a bitter taste in my mouth, but I dismiss it and try to keep my mind as numb and as blank as possible. I can’t think about him. I don’t want to start crying again—not out on the street.

The apartment is empty. I miss Kate, and I imagine her lying on a beach in Barbados sipping a cool cocktail. I turn on the flat-screen television so there’s noise to fill the vacuum and provide some semblance of company, but I don’t listen or watch. I sit and stare blankly at the brick wall. I am numb. I feel nothing but the pain. How long must I endure this?

The door buzzer startles me from my anguish, and my heart skips a beat. Who could that be? I press the intercom.

“Delivery for Ms. Steele.” A bored, disembodied voice answers, and disappointment crashes through me. I listlessly make my way downstairs and find a young man noisily chewing gum, holding a large cardboard box, and leaning against the front door. I sign for the package and take it upstairs. The box is huge and surprisingly light. Inside are two dozen long-stemmed, white roses and a card.


Congratulations on your first day at work.
I hope it went well.
And thank you for the glider. That was very thoughtful.
It has pride of place on my desk.
Christian


I stare at the typed card, the hollow in my chest expanding. No doubt, his assistant sent this. Christian probably had very little to do with it. It’s too painful to think about. I examine the roses—they are beautiful, and I can’t bring myself to throw them in the trash. Dutifully, I make my way into the kitchen to hunt down a vase.


And so a pattern develops: wake, work, cry, sleep. Well, try to sleep. I can’t even escape him in my dreams. Gray burning eyes, his lost look, his hair burnished and bright all haunt me. And the music . . . so much music—I cannot bear to hear any music. I am careful to avoid it at all costs. Even the jingles in commercials make me shudder.

I have spoken to no one, not even my mother or Ray. I don’t have the capacity for idle talk now. No, I want none of it. I have become my own island state. A ravaged, war-torn land where nothing grows and the horizons are bleak. Yes, that’s me. I can interact impersonally at work, but that’s it. If I talk to Mom, I know I will break even further—and I have nothing left to break.


I am finding it difficult to eat. By lunchtime on Wednesday, I manage a cup of yogurt, and it’s the first thing I’ve eaten since Friday. I am surviving on a newfound tolerance for lattes and Diet Coke. It’s the caffeine that keeps me going, but it’s making me anxious.

Jack has started to hover over me, irritating me, asking me personal questions. What does he want? I’m polite, but I need to keep him at arm’s length.

I sit and begin trawling through a pile of correspondence addressed to him, and I’m pleased with the distraction of menial work. My e-mail pings, and I quickly check to see who it’s from.

Holy shit. An e-mail from Christian. Oh no, not here . . . not at work.


From: Christian Grey
Subject: Tomorrow
Date: June 8 2011 14:05
To: Anastasia Steele

Dear Anastasia

Forgive this intrusion at work. I hope that it’s going well. Did you get my flowers?

I note that tomorrow is the gallery opening for your friend’s show, and I’m sure you’ve not had time to purchase a car, and it’s a long drive. I would be more than happy to take you—should you wish.

Let me know.

Christian Grey
CEO, Grey Enterprises Holdings, Inc.


Tears swim in my eyes. I hastily leave my desk and bolt to the restroom to escape into one of the stalls. Jos�’s show. I’d forgotten all about it, and I promised him I’d go. Shit, Christian is right; how am I going to get there?

I clutch my forehead. Why hasn’t Jos� phoned? Come to think of it—why hasn’t anyone phoned? I’ve been so absentminded I haven’t noticed that my cell phone has been silent.

Shit! I am such an idiot! I still have it set to forward calls to the BlackBerry. Holy hell. Christian’s been getting my calls—unless he’s just thrown the BlackBerry away. How did he get my e-mail address?

He knows my shoe size; an e-mail address is hardly going to present him with many problems.

Can I see him again? Could I bear it? Do I want to see him? I close my eyes and tilt my head back as grief and longing lance through me. Of course I do.

Perhaps—perhaps I can tell him I’ve changed my mind . . . No, no, no. I cannot be with someone who takes pleasure in inflicting pain on me, someone who can’t love me.

Torturous memories flash through my mind—the gliding, holding hands, kissing, the bathtub, his gentleness, his humor, and his dark, brooding, sexy stare. I miss him. It’s been five days, five days of agony that has felt like an eternity. I cry myself to sleep at night, wishing I hadn’t walked out, wishing that he could be different, wishing that we were together. How long will this hideous overwhelming feeling last? I am in purgatory.

I wrap my arms around my body, hugging myself tightly, holding myself together. I miss him. I really miss him . . . I love him. Simple.

Anastasia Steele, you are at work! I must be strong, but I want to go to Jos�’s show, and deep down, the masochist in me wants to see Christian. Taking a deep breath, I head back to my desk.


From: Anastasia Steele
Subject: Tomorrow
Date: June 8 2011 14:25
To: Christian Grey

Hi Christian

Thank you for the flowers; they are lovely.

Yes, I would appreciate a lift.

Thank you.

Anastasia Steele
Assistant to Jack Hyde, Editor, SIP


Checking my phone, I find that it is still set to forward calls to the BlackBerry. Jack is in a meeting, so I quickly call Jos�.

“Hi, Jos�. It’s Ana.”

“Hello, stranger.” His tone is so warm and welcoming it’s almost enough to push me over the edge again.

“I can’t talk long. What time should I be there tomorrow for your show?”

“You’re still coming?” He sounds excited.

“Yes, of course.” I smile my first genuine smile in five days as I picture his broad grin.

“Seven thirty.”

“See you then. Good-bye, Jos�.”

“Bye, Ana.”


From: Christian Grey
Subject: Tomorrow
Date: June 8 2011 14:27
To: Anastasia Steele

Dear Anastasia

What time shall I pick you up?

Christian Grey
CEO, Grey Enterprises Holdings, Inc.


From: Anastasia Steele
Subject: Tomorrow
Date: June 8 2011 14:32
To: Christian Grey

Jos�’s show starts at 7:30. What time would you suggest?

Anastasia Steele
Assistant to Jack Hyde, Editor, SIP


From: Christian Grey
Subject: Tomorrow
Date: June 8 2011 14:34
To: Anastasia Steele

Dear Anastasia

Portland is some distance away. I shall pick you up at 5:45.

I look forward to seeing you.

Christian Grey
CEO, Grey Enterprises Holdings, Inc.


From: Anastasia Steele
Subject: Tomorrow
Date: June 8 2011 14:38
To: Christian Grey

See you then.

Anastasia Steele
Assistant to Jack Hyde, Editor, SIP


Oh my. I’m going to see Christian, and for the first time in five days, my spirits lift a fraction and I allow myself to wonder how he’s been.

Has he missed me? Probably not like I’ve missed him. Has he found a new submissive? The thought is so painful that I dismiss it immediately. I look at the pile of correspondence I need to sort for Jack and tackle it as I try to push Christian out of my mind once more.

That night in bed, I toss and turn, trying to sleep and it’s the first time in a while I haven’t cried myself to sleep.

In my mind’s eye, I visualize Christian’s face the last time I saw him as when I left. His tortured expression haunts me. I remember he didn’t want me to go, which was odd. Why would I stay when things had reached such an impasse? We were each skirting around our own issues—my fear of punishment, his fear of . . . what? Love?

Turning on my side, I hug my pillow, filled with an overwhelming sadness. He thinks he doesn’t deserve to be loved. Why does he feel that way? Does it have to do with his upbringing? His birth mom, the crack whore? My thoughts plague me into the early hours until eventually I fall into a fitful, exhausted sleep.


The day drags and drags and Jack is unusually attentive. I suspect it’s due to Kate’s plum dress and the black high-heeled boots I’ve stolen from her closet, but I don’t dwell on the thought. I resolve to go clothes shopping with my first paycheck. The dress is looser on me than it was, but I pretend not to notice.

Finally it’s five thirty, and I collect my jacket and purse, trying to quell my nerves. I’m going to see him!

“Do you have a date tonight?” Jack asks as he strolls past my desk on his way out.

“Yes. No. Not really.”

He raises an eyebrow, his interest clearly piqued. “Boyfriend?”

I flush. “No, a friend. An ex-boyfriend.”

“Maybe tomorrow you’d like to come for a drink after work. You’ve had a stellar first week, Ana. We should celebrate.” He smiles and an unknown, unsettling emotion flits across his face, making me uneasy.

Putting his hands in his pockets, he saunters through the double doors. I frown at his retreating back. Drinks with the boss, is that a good idea?

I shake my head. I have an evening of Christian Grey to get through first. How am I going to do this? I hurry into the restroom to make last-minute adjustments.

In the large mirror on the wall, I take a long, hard look at my face. I’m my usual pale self, dark circles around my too-large eyes. I look gaunt, haunted. I wish I knew how to use makeup. I apply some mascara and eyeliner and pinch my cheeks, hoping for some color. Tidying my hair so that it hangs artfully down my back, I take a deep breath. This will have to do.

Nervously I walk through the foyer with a smile and a wave to Claire at Reception. I think she and I could become friends. Jack is talking to Elizabeth as I head for the doors. Smiling broadly, he hurries over to open them for me.

“After you, Ana,” he murmurs.

“Thank you.” I smile, embarrassed.

Outside on the curb, Taylor is waiting. He opens the rear door of the car. I glance hesitantly at Jack, who has followed me out. He’s looking toward the Audi SUV in dismay.

I turn and climb into the back, and there he sits—Christian Grey—wearing his gray suit, no tie, white shirt open at the collar. His gray eyes are glowing.

My mouth dries. He looks glorious except he’s scowling at me. Why?

“When did you last eat?” he snaps as Taylor closes the door behind me.

Crap. “Hello, Christian. Yes, it’s nice to see you, too.”

“I don’t want your smart mouth now. Answer me.” His eyes blaze.

Holy shit. “Um . . . I had a yogurt at lunchtime. Oh—and a banana.”

“When did you last have a real meal?” he asks acidly.

Taylor slips into the driver’s seat, starts the car, and pulls out into the traffic.

I glance up and Jack is waving at me, though how he can see me through the dark glass, I don’t know. I wave back.

“Who’s that?” Christian snaps.

“My boss.” I peek up at the beautiful man beside me, and his mouth is pressed into a hard line.

“Well? Your last meal?”

“Christian, that really is none of your concern,” I murmur, feeling extraordinarily brave.

“Whatever you do concerns me. Tell me.”

No, it doesn’t. I groan in frustration, rolling my eyes heavenward, and Christian narrows his eyes. And for the first time in a long time, I want to laugh. I try hard to stifle the giggle that threatens to bubble up. Christian’s face softens as I struggle to keep a straight face, and a trace of a smile kisses his lovely sculptured lips.

“Well?” he asks, his voice softer.

“Pasta alla vongole, last Friday,” I whisper.

He closes his eyes as fury, and possibly regret, sweeps across his face. “I see,” he says, his voice expressionless. “You look like you’ve lost at least five pounds, possibly more since then. Please eat, Anastasia,” he scolds.

I stare down at the knotted fingers in my lap. Why does he always make me feel like an errant child?

He shifts and turns toward me. “How are you?” he asks, his voice still soft.

Well, I’m shit, really . . . I swallow. “If I told you I was fine, I’d be lying.”

He inhales sharply. “Me, too,” he murmurs and reaches over and clasps my hand. “I miss you,” he adds.

Oh no. Skin against skin.

“Christian, I—”

“Ana, please. We need to talk.”

I’m going to cry. No. “Christian, I . . . please . . . I’ve cried so much,” I whisper, trying to keep my emotions in check.

“Oh, baby, no.” He tugs my hand, and before I know it I’m on his lap. He has his arms around me, and his nose is in my hair.

“I’ve missed you so much, Anastasia,” he breathes.

I want to struggle out of his hold, to maintain some distance, but his arms are wrapped around me. He’s pressing me to his chest. I melt. Oh, this is where I want to be.

I rest my head against him, and he kisses my hair repeatedly. This is home. He smells of linen, fabric softener, body wash, and my favorite smell—Christian. For a moment, I allow myself the illusion that all will be well, and it soothes my ravaged soul.

A few minutes later Taylor pulls to a stop at the curb, even though we’re still in the city.

“Come”—Christian shifts me off his lap—“we’re here.”

What?

“Helipad—on the top of this building.” Christian glances toward the building by way of explanation.

Of course. Charlie Tango. Taylor opens the door and I slide out. He gives me a warm, avuncular smile that makes me feel safe. I smile back.

“I should give you back your handkerchief.”

“Keep it, Miss Steele, with my best wishes.”

I blush as Christian comes around the car and takes my hand. He looks quizzically at Taylor, who stares impassively back at him, revealing nothing.

“Nine?” Christian says to him.

“Yes, sir.”

Christian nods as he turns and leads me through the double doors into the grandiose foyer. I revel in the feel of his hand and his long, skilled fingers curled around mine. The familiar pull is there—I’m drawn, Icarus to his sun. I’ve been burned already, and yet here I am again.

Reaching the elevators, he presses the “call” button. I peek up at him, and he’s wearing his enigmatic half smile. As the doors open, he releases my hand and ushers me in.

The doors close and I risk a second peek. He glances down at me, and it’s there in the air between us, that electricity. It’s palpable. I can almost taste it, pulsing between us, drawing us together.

“Oh my,” I gasp as I bask briefly in the intensity of this visceral, primal attraction.

“I feel it, too,” he says, his eyes clouded and intense.

Desire pools dark and deadly in my groin. He clasps my hand and grazes my knuckles with his thumb, and all my muscles clench tightly, deliciously, deep inside me.

How can he still do this to me?

“Please don’t bite your lip, Anastasia,” he whispers.

I gaze up at him, releasing my lip. I want him. Here, now, in the elevator. How could I not?

“You know what it does to me,” he murmurs.

Oh, I still affect him. My inner goddess stirs from her five-day sulk.

Abruptly the doors open, breaking the spell, and we’re on the roof. It’s windy, and despite my black jacket, I’m cold. Christian puts his arm around me, pulling me into his side, and we hurry across to where Charlie Tango stands in the center of the helipad, with its rotor blades slowly spinning.

A tall, blond, square-jawed man in a dark suit leaps out and, ducking low, runs toward us. Shaking hands with Christian, he shouts above the noise of the rotors.

“Ready to go, sir. She’s all yours!”

“All checks done?”

“Yes, sir.”

“You’ll collect her around eight thirty?”

“Yes, sir.”

“Taylor’s waiting for you out front.”

“Thank you, Mr. Grey. Safe flight to Portland. Ma’am.” He salutes me. Without releasing me, Christian nods, ducks down, and leads me to the helicopter door.

Once inside he buckles me firmly into my harness, cinching the straps tight. He gives me a knowing look and his secret smile.

“This should keep you in your place,” he murmurs. “I must say I like this harness on you. Don’t touch anything.”

I flush a deep crimson, and he runs his index finger down my cheek before handing me the headphones. I’d like to touch you, too, but you won’t let me. I scowl. Besides, he’s pulled the straps so tight I can barely move.

He sits in his seat and buckles himself in, then starts running through all his preflight checks. He’s just so competent. It’s very alluring. He puts on his headphones and flips a switch and the rotors speed up, deafening me.

Turning, he gazes at me. “Ready, baby?” His voice echoes through the headphones.

“Yes.”

He grins his boyish grin. Wow—I’ve not seen it for so long.

“Sea-Tac tower, this is Charlie Tango Golf—Golf Echo Hotel, cleared for takeoff to Portland via PDX. Please confirm, over.”

The disembodied voice of the air traffic controller answers, issuing instructions.

“Roger, tower, Charlie Tango set, over and out.” Christian flips two switches, grasps the stick, and the helicopter rises slowly and smoothly into the evening sky.

Seattle and my stomach drop away from us, and there’s so much to see.

“We’ve chased the dawn, Anastasia, now the dusk,” his voice comes through on the headphones. I turn and gape at him in surprise.

What does this mean? How is it that he can say the most romantic things? He smiles, and I can’t help my shy smile.

“As well as the evening sun, there’s more to see this time,” he says.

The last time we flew to Seattle it was dark, but this evening the view is spectacular, literally out of this world. We’re up among the tallest buildings, going higher and higher.

“Escala’s over there.” He points toward the building. “Boeing there, and you can just see the Space Needle.”

I crane my head. “I’ve never been.”

“I’ll take you—we can eat there.”

“Christian, we broke up.”

“I know. I can still take you there and feed you.” He glares at me.

I shake my head and decide not to antagonize him. “It’s very beautiful up here, thank you.”

“Impressive, isn’t it?”

“Impressive that you can do this.”

“Flattery from you, Miss Steele? But I’m a man of many talents.”

“I’m fully aware of that, Mr. Grey.”

He turns and smirks at me, and for the first time in five days, I relax a little. Perhaps this won’t be so bad.

“How’s the new job?”

“Good, thank you. Interesting.”

“What’s your boss like?”

“Oh, he’s okay.” How can I tell Christian that Jack makes me uncomfortable? Christian glances at me.

“What’s wrong?” he asks.

“Aside from the obvious, nothing.”

“The obvious?”

“Oh, Christian, you really are very obtuse sometimes.”

“Obtuse? Me? I’m not sure I appreciate your tone, Miss Steele.”

“Well, don’t, then.”

His lips twitch into a smile. “I have missed your smart mouth, Anastasia.”

I gasp and I want to shout, I’ve missed you—all of you—not just your mouth! But I keep quiet and gaze out the glass fishbowl that is Charlie Tango’s windshield as we continue south. The dusk is to our right, the sun low on the horizon—large, blazing fiery orange—and I am Icarus again, flying far too close.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Beautiful new cover and bonus material.
By DeejVS
I will be collecting all 3 movie tie-in editions of the Fifty Shades trilogy. The cover is beautiful, and the bonus material will not disappoint! Please note that this is NOT Darker from Christian's POV as some people seem to think. That book is being released later on in the year.

3 of 3 people found the following review helpful.
50 Shades of awesomeness!
By Alice
I want to know when grey part 2 comes out. I can't wait. I love love love this series. Thank you E L James.

1 of 1 people found the following review helpful.
Not the greatest love story but I like Christian Grey and Anastasia Steele
By Genie Saint Louis
I have read the FIFTY SHADES trilogy of books several times. I have read "Grey" (Christian Grey's first person narration of FIFTY SHADES OF GREY) as well and look forward to reading Christian Grey's first person narration for FIFTY SHADES DARKER. I ordered the new editiion of FIFTY SHADES DARKER because it includes a bonus excerpt from Christian's viewpoint.
I know, I need to get a life!

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Fifty Shades Darker (Movie Tie-in Edition): Book Two of the Fifty Shades Trilogy (Fifty Shades of Grey Series), by E L James PDF
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[W535.Ebook] Download Tietz's Applied Laboratory MedicineFrom Wiley-Liss

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Tietz's Applied Laboratory MedicineFrom Wiley-Liss

Using a problem-based approach, Tietz's Applied Laboratory Medicine, Second Edition presents interesting cases to illustrate the current use and interpretation of the most commonly available clinical laboratory tests. The cases present detailed descriptions of the symptoms, diagnosis, and treatment of disease. The book begins with an up-to-date general discussion of selection and use of laboratory diagnostic and prognostic tests. Cases are then grouped by category, including cardiovascular, pulmonary, renal, liver, gastrointestinal, endocrine, gynaecologic & obstetrical, haematological, CNS, lipid, congenital, toxicological, infectious, and autoimmune diseases.

Tietz's Applied Laboratory Medicine, Second Edition:

  • Presents over 100 cases organised by disease group
  • Reflects latest treatment and risk factor guidelines, testing algorithms and recommendations
  • Newly covers coagulopathies, infectious diseases, and autoimmune diseases
  • Provides excellent coverage of relevant pathophysiology and biochemistry, and includes cases in molecular diagnostics
  • Discusses legal implications

This book is an invaluable resource for all clinical chemists, clinical lab technologists, pathologists, and allied health professionals. It is also of interest for general practitioners, residents, medical students, and educators.

  • Sales Rank: #1016062 in Books
  • Published on: 2007-02-26
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.43" w x 7.01" l, 2.53 pounds
  • Binding: Paperback
  • 704 pages

Review
"In summary, this book provides a concise and successful bridge between clinical and laboratory medicine. I would highly recommend it... I believe that this book will serve as an invaluable resource for scientists..." -Clinical Chemistry

From the Back Cover
The classic reference, expanded and updated

Tietz's Applied Laboratory Medicine, Second Edition provides a comprehensive overview of modern laboratory medicine in a real-life, case-based format. Complete with patient history and laboratory data, the cases illustrate many new laboratory tests and treatments, current risk factor guidelines based on laboratory tests, and new test algorithms. For ease of use, cases are grouped by body system or disease category, including cardiovascular, pulmonary, renal, liver, gastrointestinal, endocrine, gynecologic and obstetrical, hematological, and central nervous system, as well as lipid and metabolism disorders, congenital disorders, toxicology, infectious, autoimmune diseases, and more. Extensively updated and expanded, this reference features:

  • Ninety cases illustrating the latest laboratory tests for disease diagnosis and risk assessment, including: cardiac damage markers, congestive heart failure markers, cardiac risk factors, autoimmune markers, bone resorption markers, and genetic testing
  • New case studies encompassing hematology, coagulation, infectious disease, autoimmune disease, molecular diagnostics, and more
  • Detailed case studies that include the definition of the disease, its pathophysiology, and treatment

This is a practical, valuable reference for clinical chemists, clinical lab technologists, pathologists, allied health professionals, general practitioners, residents, medical students, and educators.

About the Author
MITCHELL G. SCOTT, PhD, is Professor of Pathology and Immunology in the Division of Laboratory Medicine, Department of Pathology and Immunology at Washington University and Co-Medical Director of Clinical Chemistry at Barnes-Jewish Hospital, St. Louis, Missouri. He served as president of the American Association for Clinical Chemistry in 2005.

ANN M. GRONOWSKI, PhD, is Associate Professor of Pathology & Immunology and Obstetrics & Gynecology, Division of Laboratory Medicine, Washington University and Associate Medical Director, Clinical Chemistry and Serology at Barnes-Jewish Hospital.

CHARLES S. EBY, MD, is Associate Professor of Pathology & Immunology and Medicine, Division of Laboratory Medicine and Hematology at Washington University and Medical Director, Hematology and Coagulation, Barnes-Jewish Hospital.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Pablo Sesser
Impecable

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Sabtu, 02 Januari 2010

[N461.Ebook] Download Ghost Towns of Southern Illinois, by Glenn J. Sneed

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Ghost Towns of Southern Illinois, by Glenn J. Sneed

A compendium of Southern Illinois towns that no longer exist.

  • Sales Rank: #2458087 in Books
  • Published on: 1977
  • Binding: Paperback
  • 309 pages

Most helpful customer reviews

7 of 8 people found the following review helpful.
Great book and lots of information
By eternalodyssey
I live in Southern Illinois and my wife and I often ride our motorcycles throughout Southern Illinois and Northern Missouri. We often pass through areas where you can tell there used to be something buit it has long since been torn down or abandoned. A lot of these towns and ruins are explained in this book and it was pretty cool to know the history of these towns. I would suggest the author do a follow-up to this book with the history of many of the small towns in Illinois. There are many great places to see in Southern Illinois and Northern Missouri. Lots of old history and heritage. If you are a history buff or are just curious about the area around you in Southern Illinois, definitely purcase this book for some insight.

1 of 1 people found the following review helpful.
ghost towns of southern illinois
By Helen
there is interesting things that you don't know about till you read about it facts that aren't in history boos

0 of 2 people found the following review helpful.
Not very accurate
By Carl Raines
The things I know about in the book are as accurate as I would have expected them to be that my complaint.

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Jumat, 01 Januari 2010

[V463.Ebook] Download PDF Good Night Stories for Rebel Girls, by Elena; Francesca Cavallo Favilli

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Good Night Stories for Rebel Girls, by Elena; Francesca Cavallo Favilli

"Good Night Stories for Rebel Girls" is a children's book packed with 100 BEDTIME STORIES about the life of 100 EXTRAORDINARY WOMEN from the past and the present, illustrated by 60 FEMALE ARTISTS from all over the world. Each woman's story is written in the style of a fairy tale. Each story has a full page, full color portrait that captures the spirit of the portrayed hero. Good Night Stories for Rebel Girls is also the MOST CROWDFUNDED ORIGINAL BOOK IN HISTORY. Hardcover, with an extra smooth matte scuff-free lamination, 100lbs beautiful paper, a double satin bookmark and an extraordinary print quality, Good Night Stories for Rebel Girls is a beautiful object, it's printed with soy and vegetable based inks and it's FSC certified.

  • Sales Rank: #164 in Books
  • Brand: PENGUIN GROUP
  • Published on: 2016
  • Original language: English
  • Dimensions: 9.65" h x .91" w x 7.32" l,
  • Binding: Hardcover
  • 224 pages
Features
  • 100 Tales of Extraordinary Women from all Over the World
  • 100 Portraits Created by 60 Female Artists
  • Hardcover with Double Satin Ribbon
  • First Edition

Most helpful customer reviews

118 of 121 people found the following review helpful.
... bought this for my 4 year old and it's perfect! Short
By Tracie C Parker
I bought this for my 4 year old and it's perfect! Short, one page stories of kick butt women that reinforces to my child she can do anything! There are even stories about young girls, which was an added bonus because she saw the picture and asked me to read the story about the girl who is 'just like me'! I love anything that gives my child more confidence and shows her that the sky is the limit!!!

95 of 100 people found the following review helpful.
A book that should be on the shelf of every ...
By Renee M. Olejnik
A book that should be on the shelf of every kids room, not only girls. We need to stop raising boys who know nothing about strong women!

1408 of 1552 people found the following review helpful.
RECOMMEND WITH ONE WORD OF CAUTION
By Kris
RECOMMEND WITH ONE WORD OF CAUTION: Like this book very much. Empowering for my 7 year-old daughter and probably healthy for my 6 year-old. I can literally see their viewpoint opening up with the wheels turning behind their eyes when I read these short biographies about women that have impacted the course of "HIS"story more than credit is probably typically given. But one work of caution...at the risk of being ostracized as a bigot in today's world of LGBT acceptance.....which I am usually on board with 100%, there is one biography on a young child that chose to undergo gender transformation that - quite frankly - made me uncomfortable reading to my same-aged daughter and son amidst the Amelia Earharts, Helen Kellers, Cleopatras, and Marie Curies of history. I also believe it is important to not contribute to disenfranchising groups of people for traits that may differ from your own, but I was surprised to discover how disappointed I was with this particular page in this particular book. Sounds to me like a populist appeal to be the most liberal voice in the room. Not a kids book element of feminine heroism that belongs alongside Queen Elizabeth.

Now feel free to eviscerate me for perhaps thinking differently from you...call me a bigot...I don't mind. The kids I'm telling you about were baptized by a homosexual pastor, and I'm comfortable with a number other examples and - more importantly - knowledge of my own principles to be comfortable making this post despite what might be considered its non-politically-correct sentiments. I just think the next parent that buys this book should be informed all that it contains. Overall, though, a well-written work about strong, historically-accomplished women.

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